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知识产权与传统文化的保护(2010年12月)


来源:WIPO 发布时间:2010-12-13 22:29:29 查看次数:1231

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TABLE OF CONTENTS

EXECUTIVE SUMMARY

ACRONYMS

 

PART I. SETTING THE SCENE: AN OVERVIEW OF ISSUES

1. An Illustration: The Djalambu [Hollow Log] Ceremony

2. What is the Issue?

3. Building and Strengthening Relationships between Cultural Institutions and Indigenous Peoples and Traditional Communities

4. Exploring the Intellectual Property Dimension

Can intellectual property systems protect traditional cultural expressions?

5. IP and TCEs the Work of the World Intellectual Property Organization

The Intergovernmental Committee

The meaning of protection

IP and TCEs Context of misappropriations

6. The objectives and nature of this publication

 

PART II. INTELLECTUAL PROPERTY AND TRADITIONAL CULTURAL EXPRESSIONS: ISSUES SPECIFIC TO MUSEUMS, LIBRARIES AND ARCHIVES

COPYRIGHT

1. Objects of Protection: What Does Copyright Protect and What Does it Not?

Originality

Database protection

Idea/expression dichotomy

Fixation

Adaptations

The public domain

2. Authorship

Orphan works

Orphan works in the TCE context

3. Duration of Protection

4. Economic and Moral Rights

Economic rights

Moral rights

Resale rights

5. Exceptions and Limitations

Exceptions and limitations in the TCE context

Preservation, restoration and administrative uses of TCEs

6. Ownership, Transfers and Licensing of Copyright

Ownership

First ownership, joint ownership

Crown or government copyright

Assignment

Licensing

7. Related Rights

8. The Internet and Digitization

9. Collective Management

------------

TRADEMARKS, GEOGRAPHICAL INDICATIONS AND DOMAIN NAMES

1. Trademarks

2. Geographical indications

3. Domain Names

------------

RISK MANAGEMENT STRATEGIES AND DISPUTE RESOLUTION

1. Risk Management Strategies

2. Dispute Resolution

Litigation

Alternative dispute resolution

 

PART III. CONCLUSIONS: GOOD PRACTICES

1. Good practices from Cultural Institutions Research Ethics and Collection Policy

The Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)

Agence de Développement de la Culture Kanak - Centre Culturel Tjibaou

PIMA Code of Ethics for Pacific Museums and Cultural Centers

ATSILIRN Protocols

A Framework of Guidance for Building Good Digital Collections by NISO

Museum policy of New Zealands bicultural Te Papa Tongarewa

2. Good practices for Digital Archives Protocols

Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)

British Library Archival Sound Recordings

Musée du Quai Branly: Conditions for Placing Material on the Internet

Archives and Research Centre for Ethnomusicology, American Institute of Indian Studies

3. Good Practices from Indigenous Peoples and Traditional Communities Codes of Conduct and Protocols for Behavior

HOPI Community HCPO Policy and Research

Navajo Nation Guidelines for Visitors

4. Examples of Current Practices by Cultural Institutions Frameworks, Protocols, Guidelines and Agreements

Fijis Indigenous Affairs Ministry

The Vanuatu Cultural Centre

Reproduction Rights Organizations

5. Standard Agreements, Consent Forms, Licenses and Undertakings

License Form, Consent to Access to and Use of Historical Materials by DISA and Aluka

The Laura Aboriginal Dance and Cultural Festival

 

Notes

GLOSSARY

FAQ

BIBLIOGRAPHY

INDEX

ABOUT THE AUTHORS

ACKNOWLEDGEMENTS

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·知识产权与传统文化的保护(2010年12月)
·世界知识产权指标(2010)
·WIPO Magazine(Issue 5/2010, October)
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